Careers
We have no open employed position at the moment. What we look for continuously are freelance specialists who work with us project by project.
As of 11 October 2026: no open employed positions. As soon as we hire, the position will be listed here, with the minimum salary under the collective agreement, as Austrian equal treatment law requires. We do not post adverts with no real job behind them.
Freelance work, project by project
We bring these profiles in depending on the project. Fees are agreed per project rather than per hour, and we say up front what a project covers.
AI video artist
What it is about
You turn treatments and style frames into moving images: lighting, camera movement and visual continuity across every scene of a film.
Tasks
- Generate scenes from briefing, moodboard and style frame, and rework them until they hold up in the edit.
- Keep characters, products and light consistent across several shots.
- Hand over results structured so that compositing and grading can work on directly.
What you bring
- Hands-on experience with Seedance, Veo, Kling or comparable models, used in real projects rather than just tried out.
- A reliable sense of focal length, light and composition. Without it you cannot tell good from almost good.
- A reel where it is clear which parts are yours.
VFX compositing and colour
What it is about
You repair what the models deliver and bring shots from different sources onto one shared look.
Tasks
- Remove artefacts, edge errors and jumping textures.
- Combine generated scenes with real footage.
- Colour grading and look development across the whole film.
What you bring
- Confident work in After Effects, Nuke, Fusion or DaVinci Resolve.
- An eye for the typical errors of generated images, especially hands, faces and text.
- Experience bringing material of mixed origin onto one look.
Motion design and graphics
What it is about
You build typography, logo use, subtitles and end cards, everything in the film that is designed rather than generated.
Tasks
- Design and animate lower thirds, product information and end cards.
- Derive ad formats and aspect ratios from one master.
- Set subtitles so the film also works with the sound off.
What you bring
- Confidence in After Effects and with brand guidelines.
- A feel for typography in motion.
- Work that shows you can hold back when the film calls for it.
Sound design and music
What it is about
You give generated images a sound that does not come across as a stock library: atmosphere, effects, mix.
Tasks
- Sound design and mix for films between 15 and 90 seconds.
- Select and adapt music, with the licence cleanly documented.
- Integrate voice recordings, human or synthetic.
What you bring
- Your own work, where the difference between a stock library and actual design is audible.
- Clean licence documentation, because we evidence it to every client.
- Experience with short advertising formats, not only long form.
Directing and camera for live footage
What it is about
For projects where real people, real places or real products have to be visible, we film short passages and combine them with the AI production.
Tasks
- Plan and run short shoot days, usually with a small crew.
- Set up footage so it can be combined with generated scenes.
- Decide on location what gets filmed and what gets generated.
What you bring
- Your own equipment or reliable access to it.
- Experience in advertising production, including at a small scale.
- Based in or near Vienna, because the shoots happen here.
Open applications
No matching profile? Send us your work anyway. How we handle application material and how long we keep it is set out in our privacy policy.